Yesterday, July 14, was the 185th anniversary of the preaching a sermon which is said to have been the beginning of the Catholic revival in the Church of England. The sermon was preached at St. Mary’s Church Oxford by the Rev. John Keble, Provost of Oriel College and Professor of Poetry at Oxford. The sermon marked the opening of the Assize Court, the summer term of the English High Court of Justice. The Assize sermon normally would have addressed matters of law and religion, but in the summer of 1833 the Parliament of the United Kingdom was debating whether to abolish (or in the language of the time “suppress”) some dioceses of the Anglican Church of Ireland which, at the time, was united with the Church of England. It was an entirely financial issue in the eyes of Parliament, but Keble and several of his friends believed this to be an encroachment of the secular establishment upon the religious and an altogether wrong thing, and so it was this portending legislation that Keble addressed in his homily, which he titled National Apostasy. He began with these words:
Category: Poetry (Page 3 of 12)
In 2011 a young man in New York City named Gabriel went to a party. While there, he drank some of the alcoholic punch being served. Unknown to the young man, the punch had been spiked with a drug called Gamma-Hydroxybutyric Acid, commonly called GHB. Prescribed as Xyrem and also called by a variety of “street names,” it is known as a “date rape” or rave drug. It comes as a liquid or as a white powder that is dissolved in water, juice, or alcohol. In most people it produces euphoria, drowsiness, decreased anxiety, excited behavior, and occasionally hallucinations. For Gabriel, however, who suffered from medication-controlled epilepsy, it caused a seizure. Apparently interacting with his regularly prescribed medication, the GHB he had unknowingly consumed caused a fatal convulsion.
Sometimes I find myself at a loss for words. It doesn’t happen often, but once in a while I simply don’t know what to say about a person or an event or a spiritual feeling. On Good Friday, is one of the times when this happens. I don’t know what I want to say about Jesus or his crucifixion or the salvation we enjoy because of his death and resurrection.
When these speechless times happen, I find that turning to poets helps. I find that others have expressed that with which I am having such difficulty. So, today, I want to share three poems with you, actually part of an epic poem, a hymn, and a complete short poem. These aren’t specifically about Good Friday, but they give us some insight into this event, the Passion, death, and resurrection of Jesus Christ, and what it might mean for us.
A couple of months ago, I was part of a conversation among several parishioners about the set-up for our celebrations of the Nativity. We looking at our plans for Christmas services, and a member of our altar guild exclaimed, “That’s the problem! Things are always changing around here!”
A few days later at the November vestry meeting, as we were discussing our preliminary work on the 2018 budget and looking over the church’s calendar for the coming year, one of our vestry persons expressed some frustration saying, “That’s the problem! Nothing ever changes around here!”
Why do we do this? Why do we gather when a loved one dies and hold assemblies like this? Most human beings believe that death is not the end of the person who has passed away. Except for the few human beings who really strongly subscribe to an atheist philosophy, and they truly are a minority of our race, everyone on earth belongs to some faith group which teaches that we continue on, whether it is by reincarnation or in the Elysian Fields or the happy hunting grounds, as a guiding ancestral spirit or at rest in the presence of our Lord. So why do we do this?
“In the beginning was the Word . . . .” The Prologue of John’s Gospel echoes the opening words of the Bibe, “In the beginning God said . . . .” Our God is a god who communicates, who speaks, whose Word creates.
The collect for blessing the Christmas Créche begins, “O God our Creator, to restore our fallen race you spoke the effectual word, and the Eternal Word became flesh . . . .” (Book of Occasional Services 2003, page 37) I’ve always like that turn of phrase, “the effectual word” . . . the word that accomplishes something, the word that has power.
In his magisterial work on the poetry of the Indian sage Rabindranath Tagore, Dr. S.K. Paul wrote of powerful words:
If we think of poetry as the use of especially powerful words, then there may reason to suppose that poetry was more important in the prehistoric, preliterate past than it is today – in song, in ritual, in myth – with the structure and choice of words compensating for the impossibility of any written record. Some have even suggested that in the beginning was poetry – in the evolution of language each new word was a poem, the outward expression of a new inward perception. (The Complete Poems of Rabindranath Tagore’s Gitanjali: Texts and Critical Evaluation, Sarup & Sons: New Dheli, 2006, page 318)
At the Christ Mass on December 25, 2017, I offered this poem as a meditation for the congregation at St. Paul’s Episcopal Church, Medina, Ohio.
Skin by Godfrey Rust
That Christmas
God treated himself to a new coat.
Till then he’d not really been dressed for visiting—
he’d nothing dull enough to wear.
Quite early he had come to realise
his appearance didn’t put people at ease.
Even the very first ones were nervous—
when he took an afternoon stroll round the garden
they would run and hide.
I believe for every drop of rain that falls
A flower grows
I believe that somewhere in the darkest night
A candle glows
I believe for everyone who goes astray, someone will come
To show the way
I believe, I believe
I believe above a storm the smallest prayer
Can still be heard
I believe that someone in the great somewhere
Hears every word
Every time I hear a new born baby cry,
Or touch a leaf or see the sky
Then I know why, I believe1
Those are the lyrics of a song written the year after I was born and which was very popular in the early 1950s. Frankie Laine, the Four Letterman, Elvis Presley, and many others recorded versions of it. It was even arranged in combination with Gounod’s Ave Marie as a Christmas choral piece.
In place of an original sermon at the 2017 Advent 4 services, I offered this Lawrence Ferlinghetti poem as a meditation:
Christ Climbed Down
Christ climbed down
from His bare Tree
this year
and ran away to where
there were no rootless Christmas trees
hung with candycanes and breakable stars
I think it’s no secret that I am a news junkie. I read several articles and opinion pieces in three major newspapers (the N.Y. Times, the Washington Post, and the Manchester Guardian) everyday. I watch the cable news commentaries on all of the news channels (yes, even Fox) and I read a couple of major international journals on a regular basis (the Economist and Foreign Policy).
I’ve been a news junkie since I was a kid. It was not uncommon for my parents and me (and my older brother when he was still living with us) to watch the CBS Evening News during dinner. I will always remember Walter Cronkite’s sign off: “And that’s the way it is . . . . ” and then he would say the date. “And that’s the way it is November 5, 2017.” Over on NBC, which my grandparents preferred to watch, Chet Huntley and David Brinkley shared the anchorman job, one in Washington, DC, the other in New York City, and they would sign off by wishing each other and the nation “Good Night!” There was something reassuring about those sign-offs, something solid and final. If Uncle Walter said, “That’s the way it is . . . .” If Chet and David said, “Good night!” we could rest easy knowing that the world was right, that the facts were nailed down.
